Ill Never Love Again Music Video Daily Motion
Music videos are the about remarkable works of art of the modernistic world. The MTV generation of the '80s and '90s watched center-communicable clips from the creative pioneers who launched the medium. Present, artists strive to make videos that eclipse boundaries already cleaved in hopes of gaining attention.
More music videos get released all the time, but only a select few have been powerful plenty to spark controversy, launch careers and withstand the examination of time. These are some of the nearly iconic music videos of all time.
Michael Jackson – "Thriller" (1983)
Michael Jackson'due south well-nigh iconic video is a mini-pic that runs for 14 monstrous minutes. The chilling spectacle is an homage to erstwhile horror films mixed with camp and an unforgettable dance routine with a horde of zombies. It'south Michael Jackson at his finest.
The video made "Thriller" an essential vocal for every Halloween party, and it lives on via the popular "Michael Jackson eating popcorn" GIF. It'due south so iconic, in fact, that it'south currently the just music video preserved in the Library of Congress' National Moving-picture show Registry.
Madonna's legendary musical career explores the complicated relationship between sex and religion, and no music video in her career improve illustrates her life's piece of work than "Like a Prayer." The powerful video explored injustice in the prison organisation, interracial love and spirituality.
Information technology would be an understatement to say the video didn't cause controversy. Critics hailed it for its symbolic imagery, just family unit and religious groups were horrified. Fifty-fifty the Vatican condemned Madonna'southward video, criticizing its "cursing use of Christian imagery." In response, Pepsi notoriously canceled its multi-million dollar campaign that used the vocal.
Childish Gambino – "This Is America" (2018)
Gambino's rap/gospel video is a gripping meta interpretation of the social injustices that have plagued African Americans for years. The artist seamlessly weaves through protestors, shooting sprees, police brutality, all the while sidetracked with a grouping of dancers fixated on the latest dance moves.
The internet spent weeks watching the video, attempting to decode its glimmer-and-yous'll-miss-it symbolic imagery. Countless recollect pieces later, the video cemented the vocal as a modern-day protest anthem confronting gun violence, police force brutality and discrimination.
George Michael – "Freedom! '90" (1990)
In 1990, George Michael was at the top of his game. His music videos were in heavy rotation on MTV, and his albums were selling out beyond the world. But when information technology came time to brand the video for "Liberty! 'ninety," Michael had had plenty of the pop music rat race.
He grew tired of the pressures of fame and wanted to take a stride back from the spotlight. Instead of seeing George Michael, fans saw supermodels Naomi Campbell, Linda Evangelista and Cindy Crawford singing his song, every bit symbols of the pop legend burned in flames.
Missy Elliot – "The Rain (Supa Dupa Fly)" (1997)
When information technology comes to outrageous music videos, no one comes close to Missy Elliot. She combines surrealist visuals with colorful wardrobes and gravity-defying dance routines. She has a catalog of amazing choices, but her breakout video, directed past Hype Williams, remains the rapper's most iconic of all fourth dimension.
In the video, Missy sported her glittered helmet spectacles and patent leather blow-up suit, also lovingly referred to every bit her "trash bag bubble." The video also filled the screen with neon landscapes, rain dancing in Timberland boots and countless celeb cameos.
Beyoncé — "Unmarried Ladies (Put a Ring on It)" (2008)
"Single Ladies" had no costume changes, no set changes and very simple choreography. Information technology sounds like a recipe for something deadening, but the less-is-more arroyo made Beyoncé's moves nada short of captivating. Fans across the world went wild over the trip the light fantastic, and many wannabes uploaded their ain versions on YouTube to the delight of viewers.
Beyoncé went on to win big at the 2009 MTV Video Music Awards, snagging the coveted Video of the Year award. Still, she lost the Moonman for Best Female Video to Taylor Swift, prompting a very drunk Kanye West to interrupt Swift during her acceptance spoken language on Beyoncé'south behalf.
Peter Gabriel – "Sledgehammer" (1986)
Gabriel's "Sledgehammer" was a trippy bout de forcefulness. In the video, the British rocker danced his way through playful vignettes of claymation, pixilation and stop-motion animation. In reality, he had to lie under a sheet of glass for xvi hours so they could film the video 1 frame at a fourth dimension.
His efforts paid off. The video was a marvelous display of inventiveness, weaving through crazy scenes seamlessly. It went on to win nine MTV Video Music Awards in 1987, the most awards a video has ever won.
Nine Inch Nails – "Closer" (1994)
This creepy clip took place in what tin merely be described as a 19th-century md's function with a touch of Due south&Grand. Nine Inch Nails frontman Trent Reznor constitute himself blindfolded, gagged, windswept, handcuffed and surrounded by diverse dismembered animals.
The video was too explicit for TV, so several scenes were blocked past a black screen that read "Scene Missing." The video was afterward voted number one in a VH1 Archetype poll for "The Greatest Music Videos of All Time."
Janelle Monáe feat. Grimes – Pynk (2018)
Monáe doubled down on self-beloved and female empowerment at the coolest desert political party of all time. In the 2018 video for "Pynk," women were safe to be themselves — and men weren't necessary. The queer representation and anatomically-diverse lady pants were a visual breath of fresh air.
The video premiered around the fourth dimension Monáe came out equally pansexual, which was a big moment for the very private vocalist. For that reason, the video's visuals and message made the song an anthem for lesbian, bisexual and queer-identifying women.
The Smashing Pumpkins – "This night, Tonight" (1996)
The Smashing Pumpkins usually made heavy metal goth rock, merely this song was different. "This night, Tonight" was an orchestral, climactic ballad with a video that harkened back to the silent picture show era.
The video'due south archaic furnishings and turn-of-the-century costumes were a surprising visual counter to the band'south audio. It was a meaning visual deviation for the band, and it paid off in droves. Silent films were suddenly all the rage, and the band won half-dozen MTV Video Music Awards.
O'Connor took viewers through an emotional rollercoaster in her emotional Prince embrace. The video mostly consists of a closeup shot of her face as she sang through her anger and sadness. Toward the end of the video, two real tears rolled down her cheeks.
The clip collected three Video Music Awards in 1990, including Video of the Twelvemonth. O'Connor inspired other artists, including D'Angelo and Miley Cyrus, to look into the camera for their music videos, only nothing compares to Sinéad's devastated gaze all these years afterward.
OK Get – "Here Information technology Goes Again" (2006)
OK Get fabricated a name for themselves in the early 2000s with their depression budget viral videos. Their outset video for "Here Information technology Goes Once more" was a complex dance routine on treadmills performed in one take. Information technology was their first taste of virality and inverse the music video game forever.
YouTube was becoming the next MTV, and musicians looking to make a wave had to call up fast. OK Go had the thought to create music videos with the intention of trending on the internet. They kept the aforementioned formula intact for all their videos that followed.
A-ha – "Take On Me" (1984)
A-ha made music video history thanks to the animation way known as rotoscoping. Animators draw over motion picture footage frame by frame to produce realistic action with a cartoon look. Information technology sounds like a lot of piece of work — and it is — but information technology paid off for the Norwegian synthpop band.
The video's romantic storyline and whimsical animation style made MTV history. The grouping won six Moonmen at the 1986 Video Music Awards and amassed over 930 million views on YouTube. Bands similar Weezer and Paramore have created their own video tributes using the iconic style.
Christina Aguilera, Lil' Kim, Pink, Mya and Lil Kim — "Lady Marmalade" (2001)
It's the ultimate pop music collaboration. These four powerhouses joined forces with a lot of lingerie for a cabaret similar no other. Like a circus on acid, each performer showed off tiny costumes, sultry dance moves and outrageous pilus and makeup.
The alloy of hip hop, pop and French cabaret was a recipe for success. The video won the 2001 MTV Video Music Honor for Video of the Year and the 2002 Grammy Award for Best Pop Collaboration with Vocals.
2Pac feat. Dr. Dre – "California Love" (1995)
Called-for Man meets Mad Max in 2Pac and Dr. Dre's futuristic homage to their home land of California. Filmed inside the actual Thunderdome from Mad Max Beyond Thunderdome, the powerhouse rap duo threw a post-apocalyptic rave in the desert for the video.
Anybody in this video's twisted future drove giant jeeps and wore steampunk armor. The sepia-toned, desert visuals make the video wait futuristic to this day, unless you've ever been to Burning Man. So it's simply some other day at the Thunderdome.
Pearl Jam – "Jeremy" (1992)
Pearl Jam's "Jeremy" was a chilling illustration of loneliness and depression. The troubled atomic number 82, Jeremy, moved through frozen family members and classmates equally the music intensified. Strobe lights flashed as words like "problem" and "ignored" appeared, pushing Jeremy to his breaking signal.
In the video's unedited climax, Jeremy reached for a gun in his desk and shot himself. MTV restricted the most vehement parts from airing, and an alternative version was released. The video was nevertheless powerful afterwards the edits, simply Pearl Jam stopped making videos for years post-obit the controversy.
Outkast – "B.O.B." (2000)
Outkast has and then many iconic music videos that it's hard to pick just one. "Miss Jackson" saw Andre 3000 and Big Boi save a business firm from flooding as animals bounced their heads to the music. "Hey Ya!" offered a Beatles-style performance on live TV.
Simply none of Outkast'due south other videos compare to "B.O.B.," their hip hop opus on psychedelics. The rap duo celebrated their community while expressing their unique individuality. No 1 could mix technicolor suburbia, bondage–clad Bail girls and gospel choirs quite like Outkast.
Michael Jackson and Janet Jackson – "SCREAM" (1995)
The iconic Jackson siblings hopped aboard a spaceship for a $7 million ride into history. The video for "Scream" earned the Guinness Book of World Records championship for the most expensive music video ever made. The video gave Michael a risk to retaliate (angrily) against the media.
The spaceship featured a selection of rooms for the brother-sister duo to relax, but they had other plans. Instead, the Jacksons permit out their aggressions and danced with a vengeance. It was a complicated time in the Rex of Popular's controversial career, and the video proved it.
Jamiroquai – "Virtual Insanity" (1996)
Jamiroquai's vocaliser Jay Kay takes viewers on a ride with the most confusing dance sequence in music video history. Performed in a white room with a gray floor, Jay Kay sang the song as the floor appeared to move while the room stood still.
Viewers and critics agreed that this was a stunning display of special effects. Jay Kay's bizarre dancing helped a niggling as well. The video won iv Moonmen at the 1997 Video Music Awards, including Video of the Yr.
Sia – "Chandelier" (2014)
Before making it large as a popular singer, Sia was a talented songwriter for big-name acts like Rihanna and Katy Perry. Years afterwards releasing her own indie music, Sia broke through with 1000 Forms of Fear. The only trouble was she was afraid of the attending.
Enter dancer Maddie Ziegler. Instead of Sia starring in her own video, the young dancer donned a blond wig and danced through Sia'due south powerful song. The choreography fit the vocal perfectly, and Sia enjoyed the spotlight from a safe distance.
Nirvana – "Smells Like Teen Spirit" (1991)
The song ushered in the grunge movement, simply the video for "Smells Like Teen Spirit" ushered in the look. Start-fourth dimension manager Samuel Bayer took a typical high school concert and turned information technology into a total riot. What else would yous expect from a schoolhouse with cheerleaders sporting agitator symbols?
The grunge rock movement paired well with a general apathy toward guild, and the video exemplified that. In fact, the students shown in the video were actually bored after filming the video for several hours.
TLC – "Waterfalls" (1995)
The clouds. The water. Those matching pastel pants! TLC were aquatic muses with a warning for the globe in their iconic "Waterfalls" video. T-Boz'due south raspy voice offered 2 tales of gang violence and unsafe sex as viewers watched the stories unfold.
Not fifty-fifty Left-Center'due south timeless rap could save the characters from making the wrong decisions. Past the stop of the video, T-Boz, Left-Middle and Chili appeared liquified next to an actual waterfall — and danced their way into '90s history.
Kendrick Lamar – "Humble." (2017)
Lamar made music video history with the release of his spiritually charged video for "HUMBLE." The video started with Lamar dressed similar the pope, looking somber in a cathedral. He afterward recreated Leonardo da Vinci'southward 15th-century painting The Terminal Supper, with Lamar, naturally, sitting in Jesus' chair.
In betwixt religious visuals, Lamar played with money, golfed in an underpass and stood surrounded past men on burn. Critics hailed it equally a critique of society'south focus on consumerism. Mayhap nosotros should all "sit down downwards and be humble."
Mariah Carey – "Beloved" (1999)
Mariah Carey was topping the charts with her pristine paradigm for years, but that came to a screeching halt in 1999. Something was dissimilar well-nigh the elusive chanteuse with the release of "Dearest." The squeaky clean singer spent the video diving in a bikini and dancing way more than suggestively than always before.
Carey was in the midst of divorcing her music executive husband, Tommy Mottola. The video was a provocative pivot for the diva and a not-so-subtle nod to her divorce. In the video, she escaped captivity from a wealthy homo's mansion and began the rest of her life every bit a complimentary, liberated woman.
Guns N' Roses – "Nov Pelting" (1992)
The video for Guns 'N' Roses booming ballad "November Rain" featured the most rock n' roll wedding ceremony of all time. In the video, lead singer Axl Rose married his then-girlfriend Stephanie Seymour, surrounded by gothic candles, cigarettes and hairspray.
Between shots of the nuptials reception, viewers watched in high-def as the band performed "live." The $1 million video ended in despair subsequently nine beautiful minutes. Rain poured downward during the reception, which then segued into shots of Seymour'southward funeral. It's disruptive, but notwithstanding epic.
Rihanna & Calvin Harris – "Nosotros Institute Dear" (2011)
Music videos depicting relationships gone wrong are a dime a dozen. Yet, director Melina Matsoukas created a relationship rollercoaster ride. Rihanna fought, kissed and danced through her relationship with her boyfriend earlier leaving him in a puddle of drugs and alcohol.
The video used visual cues from films like Trainspotting and Requiem for a Dream to emphasize their cluttered honey. It won the Grammy Award for Best Short Form Music Video and the VMA for Video of the Yr.
Queen – "Bohemian Rhapsody" (1975)
Before the regular release of music videos, at that place were promotional videos. Also known as "pop promos," the videos played on Boob tube stations when the bands couldn't exist there to perform for the cameras. Queen specifically wanted to produce their video and then they could avoid lip-syncing to their song on Height of the Pops.
Information technology turned into more a performance clip of the band; it was an artistic statement. The video is one of the primary catalysts for the cosmos of MTV and the creation of music videos at large. It currently has more than one billion views on YouTube.
Luis Fonsi feat. Daddy Yankee – "Despacito" (2017)
Before the video was filmed, Fonsi had some requests. Starting time, he wanted 2006'south Miss Universe, Zuleyka Rivera, cast to represent "the ability of a Latina woman." Next, he wanted the video to celebrate Latin American culture and amplify the vocal'due south soul accurately.
He nailed it. The video perfectly captured the beauty of San Juan, Puerto Rico, and Fonsi and Daddy Yankee serenaded the world with their infectious hit. "Despacito" stands lonely on YouTube with more than half dozen.4 billion views, making it the most viewed music video of all time.
Prince – "When Doves Weep" (1984)
Doves, flowers and a smoking bathtub all inside the first 10 seconds? It must exist Prince. Wearing nothing but a cross around his cervix, Prince rose from his bathtub and stared into the camera, holding his manus out for whoever wanted it.
The video featured Prince getting dressed to perform, mixed with scenes from his Academy Honor-winning stone musical Purple Rain. Information technology was one of the first clips to spark controversy for being as well sexually explicit for TV.
Bjork – "Large Time Sensuality" (1993)
This is the video that made Björk a household name, and the premise was elementary: Film Björk while she dances on the back of a truck in New York City. Simple or non, it was just baroque enough to make the video an MTV mainstay in 1993.
The focus was on her tight hairdo, baroque dance moves and grandiose facial expressions. She was the otherworldly Icelandic pixie on full display in the Big Apple, and you could almost feel her joy climb through the black and white clip.
David Bowie – "Ashes to Ashes" (1980)
In 1980, music videos were still finding their footing. Most videos at the time showed bands performing their songs as if they were on some other phase. There weren't a lot of creative special effects used withal. That is, of form, until Bowie got into the mix.
Bowie was already a creative fable, but music videos gave him the gamble to push boundaries even further. The opulent, otherworldly clip toll more than $425,000 to make, making it one of the most expensive music videos of all time.
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