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· 132 ratings · 18 reviews
Start your review of I Like Your Work: Art and Etiquette
A book on art and etiquette. Seriously? For a long, long time I believe that etiquette doesn't exist in the art world. The artists, if anyone notices, take been the saboteurs of whatsoever form of etiquette available. A good kind of art would excite, enlighten, or at least offend, to be seriously considered. Take Oleg Kulik'southward Dog and Damien Hirst's The Concrete Impossibility of Death in the Mind (shark) for examples. The protests for the latter work are profound. Certainly a tinge of politeness didn't A book on art and etiquette. Seriously? For a long, long time I believe that etiquette doesn't be in the fine art world. The artists, if anyone notices, have been the saboteurs of any course of etiquette available. A good kind of art would excite, enlighten, or at least offend, to be seriously considered. Take Oleg Kulik'due south Dog and Damien Hirst's The Physical Impossibility of Death in the Mind (shark) for examples. The protests for the latter work are profound. Certainly a tinge of politeness didn't make a bear witness in the artist'south thought process during the creation of art. And then this is clear: etiquette has no place in art. Only the fine art world is by no means the art itself. In that location is the museum, audience, curators, money, and art buyers, bated of art and the artists. So there existed the ethereal presence of etiquette to accommodate these needs, every bit Wendy Olsoff had said in the book: "The rules of etiquette in the art earth are unwritten and circuitous, and whatever rules there are are often cleaved—brazenly or discreetly, on purpose and past accident."
This is an actual opening sentence in the book. And this line alone shows the book's promise of entertainment and a glimpse of perversity in the globe of fine art. Consistently throughout the book, the artists e'er play the role of the precarious and sensitive, also the offender and the victim. The critics would exist the outlaws. The audition would play the part of the innocents, the museum is the arena, the art is something to be frowned upon, and the money is, as ever, the root of all evil—Q: Has there been a shift in etiquette as the financial climate has changed? A: Ahh, everyone gets nicer when there is less money around (excerpt from page 3).
The book itself is structured as a series of interviews with more than or less the aforementioned questions for each artist (at that place are 30 artists and a few anons), and there are likewise poems and brusk essays. Almost of them are funny, agreeable, and oftentimes sarcastic. One of my favourites is "How Artists Must Dress" past Roger White. The physical book takes form of a lite, awkward rectangle shape, and inside the covers tucked nicely 28 pages of cream-coloured paper, which altogether make a neato looking volume. I'd advise yous leave it laying on your desk during tiffin hour for a quick rep gain. Thin equally it may be, information technology is by no means a short read.
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i was drawn to this volume in person due to the aesthetics and how information technology fit in my mitt. it's tall, narrow, pleasing to look at—decidedly worth reading.but as information technology turned out, i really disliked reading it. quite honestly i'g surprised i even finished it. (it took me 3 years to read the measly 54 pages.)
the book reads as a general interview on etiquette in the fine art world. some of the interviewees are polite and honest, but i found the bulk of the responses to exist self of import and acting (too enlightened o
i was drawn to this book in person due to the aesthetics and how information technology fit in my hand. it'southward alpine, narrow, pleasing to wait at—decidedly worth reading.just as it turned out, i really disliked reading it. quite honestly i'm surprised i even finished it. (it took me 3 years to read the measly 54 pages.)
the volume reads every bit a general interview on etiquette in the art world. some of the interviewees are polite and honest, but i found the bulk of the responses to be self of import and interim (besides aware of what types of people might read information technology).
as a whole, i found it to be quite exhausting for my introverted personality—and also so relieved that i decided confronting 1. living in NYC and two. getting involved with the contemporary art scene. i'd much rather mingle with vulnerable, wholehearted individuals.
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Tall, slim compilation of responses to questions most etiquette in the art earth. Best when bitchy merely the sincere stuff sets up the amusing stuff. Air kiss! (But how many? Ane, two, three? Or meliorate yet: "when all else fails, have fun and fuck things up"!) Tall, slim compilation of responses to questions well-nigh etiquette in the fine art earth. Best when bitchy only the sincere stuff sets upwardly the amusing stuff. Air osculation! (But how many? One, ii, three? Or meliorate withal: "when all else fails, have fun and fuck things up"!) ...more
Быть вежливым, носить черный свитер, пытаться запомнить имена собеседников, не слишком напиваться на открытии выставок.
a volume that was more than interesting in theory than in practice. a lot of the stories and responses veered on the side of pretentious (definitely a great reminder why i don't work in the commercial gallery world) and it was a fiddling frustrating that there was a lack of dash and multifariousness in the responses. very little discussion nigh etiquette as it relates to bug of race, gender, and class.
A creative and interesting wait at the art world The Art world directly from the voices of those involved in it. Useful for beginners and pros. Artistic and interesting.
An introduction on the sometimes serious and sometimes ridiculous topic of manners in the fine art world.
It'south a breach of art etiquette to admit to having read this volume.
This volume had many clever, insightful, humorous and likeable moments. It also paints the people of the art world every bit opportunistic and apt to mock others as a way of easing general social awkwardness, likewise as tension caused by differences in social status and economic class. While I enjoyed reading this lilliputian volume, I came away with the opinion that the fine art world would be more meaningful if the artists, dealers, and critics involved in it shared more of a sense of 18-carat altruism. I know that This book had many clever, insightful, humorous and likeable moments. It also paints the people of the fine art world as opportunistic and apt to mock others as a way of easing general social awkwardness, as well equally tension caused by differences in social condition and economic class. While I enjoyed reading this little volume, I came abroad with the opinion that the art world would be more meaningful if the artists, dealers, and critics involved in information technology shared more than of a sense of genuine altruism. I know that's idealistic, but based on this volume, with myself being (more often than not) an outsider looking in, the fine art globe appears overly malicious and competitive. The self-focused nature of these people and their piece of work plays a large part in this. ...more
Perhaps an unfair rating because I'k non an artist, gallery owner, or what anybody would call a "serious collector." . . . Oddly enough, the bulk of the contributors lay out a line of etiquette that pretty much amounts to "Don't be a jerk," implying that the editors of Paper Monument were able to convince only the decent-acting segment of the art world to contribute, or none of their contributors would fess upwardly to engaging in beliefs they deplore here. . . Maybe that'south the real problem Paper Monday Mayhap an unfair rating considering I'k non an artist, gallery possessor, or what anybody would call a "serious collector." . . . Oddly plenty, the bulk of the contributors lay out a line of etiquette that pretty much amounts to "Don't exist a wiggle," implying that the editors of Paper Monument were able to convince only the decent-acting segment of the art globe to contribute, or none of their contributors would fess up to engaging in beliefs they deplore hither. . . Maybe that's the real problem Paper Monument's editors accept identified: everyone feels slighted past everybody else's impolite behavior. ...more
A very enjoyable drove of very curt interviews and essays with Fancy Art Scene People about etiquette in the fine art world. Doesn't matter if y'all're not a part of that, at that place's a lot of anthropological joy to be had here. A very enjoyable drove of very short interviews and essays with Fancy Art Scene People most etiquette in the fine art world. Doesn't thing if you're not a part of that, at that place's a lot of anthropological joy to be had here. ...more than
hilarious!
though i did await more than about artists and artist visit, this is more inclusive with a bigger collectors, editors, writers, gallerists and whatnot. guess i didn't pay much attention to the list of interviewees. hilarious!
though i did expect more about artists and artist visit, this is more inclusive with a bigger collectors, editors, writers, gallerists and whatnot. guess i didn't pay much attention to the list of interviewees. ...more
I wonder if the bit by Prem Kishnamurthy is the same PK with whom I was one time acquainted?
Funny and kind of helpful, I remember?
If yous have read the description on the due north+i site and aren't sure it'due south worth it, allow me tell you lot it is. Order it! Or message me and possibly I can postal service it to y'all. If you accept read the description on the due north+1 site and aren't sure it'southward worth information technology, let me tell you it is. Order information technology! Or message me and possibly I can postal service information technology to you. ...more
Parts of this guide look humous and other parts look more often than not useful. I am hoping there is a lot of ironic contradictions found within the various interviewees.
Entertaining and educative, but with a hair besides much accent on the New York scene. But I'm simply a jealous not-New Yorker. Entertaining and educative, but with a hair too much emphasis on the New York scene. But I'm just a jealous non-New Yorker. ...more
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